The Vandyke Collar

Jacob Spornberg was one of almost twenty artists working in Bath during the 1790s as listed in the New Bath Guides. Bath was then at the height of its popularity as a spa resort with a steady influx of well-heeled visitors arriving to take the waters. Given that a fair proportion of these artists specialised in painting portrait miniatures and/or profiles, it must have been difficult to stand out. But Spornberg was creative and had developed two distinctive styles of miniature profiles, one “executed in the Etruscan Manner” in vermilion red and black, the other “in cameo”, a more subtle style where a sepia portrait stands against a dark background.

This profile is painted in the cameo style on an ivory base. Unlike the usual silhouette, the lady’s features, hair and dress are delineated. These profiles are rarely seen so perhaps the style did not find favour with Spornberg’s clientele.

The profile is housed in the original papier-mâché frame with convex glass and a leaf hanger. It has minor paint loss around the outside edge but this is not really visible within the frame. The frame has the usual nibbles and a small bruise to the top right corner. Otherwise good original condition.

Born in Finland in 1768, Spornberg had settled in Bath by 1790 where his wife Rebecca ran a millinery shop in Milsom Street. Following her death in 1840, Spornberg emigrated to the USA to join his son.